Read a Room - Chloe Styler

Better To... Podcast with D. M. Needom

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Chloe and I talk about Music, Dating, and more.
"Yeehaw Pop" artist Chloe Styler brings a Gold Coast glam to the Music City scene. From Australia to Nashville, Chloe now finds herself gently pushing the barriers of country music with her distinct pop-country sound and making waves internationally.

2023 was epic for Chloe, having independently released her EP ‘Side B’, earning a nomination for ‘Release of the Year’ at the Gold Coast Music Awards, playing to a sold-out crowd at her headline EP Launch and showcasing her talents on a global stage. The young star illuminated the Spotlight Stage at the prestigious CMA Fest and appeared at two Sounds Australia showcases in Nashville, including debuting inside the hallowed walls of The Bluebird Café as part of Americana Fest.

Since releasing her first project in 2017, Chloe has delivered multiple alluring singles that have earned her over 270,000 streams across all platforms, nominations at the Queensland Music Awards and Gold Coast Music Awards, and finalist status in the Queensland Music Awards and Gold Coast Music Awards. Chloe has graced festival stages such as Americana Fest (USA), Big Red Bash, CMA Fest (USA), Deni Ute Muster, Falls Festival Byron Bay, Groundwater Country Music Festival, Gympie Music Muster, and more. She has supported Australian country music legends such as Lee Kernaghan, Troy Cassar-Daley, and Fanny Lumsden, as well as international 80’s pop icons Tony Hadley (ex-Spandau Ballet) and the Thompson Twins’ Tom Bailey at some of the most esteemed venues across Australia.

Chloe Styler’s music is forward-thinking and unique, and her new music pushes the boundaries that little bit further. This year will see Chloe release a slew of singles recorded at Station West Recording Studios and produced by Grammy-award-winning engineer and producer, Luke Wooten (Brad Paisley/Dierks Bentley). These tunes are set to break new and exciting international ground for this quickly rising-country star.
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