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Week 110 (11/16/23): Cary Grant
Manage episode 384231509 series 3023087
Archibald Alec Leach was born in Bristol, England at the turn of the century, January 18, 1904 to a tailor and a seamstress.
A theatrical tour of NYC led him to emigrate at the ripe old age of 16, where he became a vaudeville song and dance man on the same circuit as the likes of the Marx Brothers, Abbott and Costello and Ted Healy and his Stooges.
Moving to Hollywood at the height of the Depression, he wound up cast as handsome young men and rich playboys in a handful of Marlene Dietrich and Mae West films, the latter of which elevated him to leading man status.
But it wasn't until the rise of the screwball comedy that he truly made his mark, starring in several of the best known entries thereof. A long run of similar if, by the late forties, increasingly inferior efforts was salvaged by four well regarded films for the great Alfred Hitchcock, which subverted his image in favor of a darker, more realistic persona.
These quartet of roles almost led to his casting as the first James Bond in Doctor No, but he would only commit to one film in what was always intended as an ongoing series...and the rest is history.
After a handful of interesting if decidedly flawed oddities, he finally retired from film in the mid 60s, leaving behind more of a unique character and persona than there ever was a consistent body of work to be remembered by...those Hitchcock films aside.
So join us as we take on the inimitable Cary Grant, only here on Weird Scenes!
Week 110 (11/16/23): Cary Grant
https://weirdscenes1.wordpress.com/
https://www.facebook.com/WeirdScenes1
https://twitter.com/WeirdScenes1 (@weirdscenes1)
TheThirdEyeCinema @Threads
https://thirdeyecinema.podbean.com/
https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044
https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1
https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast
100 επεισόδια
Manage episode 384231509 series 3023087
Archibald Alec Leach was born in Bristol, England at the turn of the century, January 18, 1904 to a tailor and a seamstress.
A theatrical tour of NYC led him to emigrate at the ripe old age of 16, where he became a vaudeville song and dance man on the same circuit as the likes of the Marx Brothers, Abbott and Costello and Ted Healy and his Stooges.
Moving to Hollywood at the height of the Depression, he wound up cast as handsome young men and rich playboys in a handful of Marlene Dietrich and Mae West films, the latter of which elevated him to leading man status.
But it wasn't until the rise of the screwball comedy that he truly made his mark, starring in several of the best known entries thereof. A long run of similar if, by the late forties, increasingly inferior efforts was salvaged by four well regarded films for the great Alfred Hitchcock, which subverted his image in favor of a darker, more realistic persona.
These quartet of roles almost led to his casting as the first James Bond in Doctor No, but he would only commit to one film in what was always intended as an ongoing series...and the rest is history.
After a handful of interesting if decidedly flawed oddities, he finally retired from film in the mid 60s, leaving behind more of a unique character and persona than there ever was a consistent body of work to be remembered by...those Hitchcock films aside.
So join us as we take on the inimitable Cary Grant, only here on Weird Scenes!
Week 110 (11/16/23): Cary Grant
https://weirdscenes1.wordpress.com/
https://www.facebook.com/WeirdScenes1
https://twitter.com/WeirdScenes1 (@weirdscenes1)
TheThirdEyeCinema @Threads
https://thirdeyecinema.podbean.com/
https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044
https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1
https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast
100 επεισόδια
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