The 2024 US Open Sound Experiment The Holmes Archive Of Electronic Music podcast

Το περιεχόμενο παρέχεται από το Thom Holmes. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον Thom Holmes ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.

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The 2024 US Open Sound Experiment

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Episode 132

The 2024 US Open Sound Experiment

Playlist

Note: The starting times indicate at which time during the podcast a sound begins. The tracks often overlap based on the given length of each track.

Time

Track Time

Start

Introduction –Thom Holmes

03:36

00:00

1. Chair Umpires

01:19

05:24

2. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Granular effect, Classic.

03:46

05:40

3. USTA Billie Jean King Tennis Center—outer courts. Quick Sampler, Bent Guitar.

06:16

07:20

4. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Blur

01:50

09:08

5. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Low/High Cut.

02:58

10:56

6. Arthur Ashe Stadium, Meta-Synth, Inertia setting

25:16

11:26

7. Grandstand Stadium, Meta-Synth, Inertia setting,

08:36

12:16

8. Grandstand Stadium, Auto-Filter, Constant Rise Four Bars.

08:33

29:48

9. Grandstand Stadium, Arturia MiniFilter V, Beatchopper.

08:33

31:02

10. Arthur Ashe Stadium, Delay Designer, Buzz Pattern.

26:05

34:40

11. Louis Armstrong Stadium, Delay Designer, Pulse Groove.

24:42

54:36

12. Grandstand Stadium, AutoFilter, Volume Gate Filter.

22:31

01:16:38

13. Arthur Ashe Stadium, Pedlboard, Blue Echo, Squash Compressor.

30:28

01:36:28

14. East Village Neighborhood, AutoFilter, Resonant High Pass; Delay Designer, Ring and Roll.

27:28

01:37:56

15. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Granular effect, Classic.

07:56

02:02:48

16. USTA Billie Jean King Tennis Center—outer courts. Quick Sampler, Bent Guitar.

08:02

02:03:56

17. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Blur

03:46

02:06:59

18. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Low/High Cut.

02:54

02:09:44

Recording equipment used: Zoom Hn4 Pro digital recorder; Shure CVB-B/O Boundary Condenser Microphone; Boya Omnidirectional Cardioid XLR Lavalier Microphone.

Opening background music: Opening background music: A mix of tennis recordings set to a track called “Make It Good” by DJ Tennis (2012 Life and Death). The tennis recordings include excerpts from Arthur Ashe, Learn Tennis (For Beginners & Advanced Players) (1974 Manhattan Recording Company), John Newcombe, Tennis With John Newcombe (1974 K-Tel), and Evonne Goolagong, Tennis Tips By Evonne Goolagong (1975 Fleetwood Records), narrated with questions by Bud Collins.

Additional opening, closing, and other incidental music by Thom Holmes.

My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022.

See my companion blog that I write for the Bob Moog Foundation.

For a transcript, please see my blog, Noise and Notations.

Original music by Thom Holmes can be found on iTunes and Bandcamp.

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#Music #Thom Holmes