Artwork

Το περιεχόμενο παρέχεται από το The Great Women Artists Podcast and Katy Hessel. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον The Great Women Artists Podcast and Katy Hessel ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
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Ruth Ozeki on objects and observation

55:41
 
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Manage episode 365987323 series 2572091
Το περιεχόμενο παρέχεται από το The Great Women Artists Podcast and Katy Hessel. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον The Great Women Artists Podcast and Katy Hessel ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
THIS WEEK on the GWA Podcast, I interview one of the most important, pioneering and impactful writers and novelists working today, Ruth Ozeki. In this episode, we deep dive into looking, writing, observation and perception in a fascinating discussion that traverses objects, the written form, imagination and memoir. She is the author of four novels, My Year of Meats (1998); All Over Creation (2003); A Tale for the Time Being (which was shortlisted for the Man Booker Prize in 2013 and won the LA Times Book Prize); and more recently, The Book of Form and Emptiness (for which she won the Women’s Prize for Fiction) – an extraordinary novel centred on 14 year old Benny who, after his father dies, begins to hear voices, with other objects in a magical realist sense taking on roles to speak. Ozeki’s work is powerful, it breaks boundaries and reinvents storytelling and often melds ancient ideas with contemporary ones – looking at how they relate to our technology, religion, politics or pop culture. In addition to her writing work, Ozeki is a Zen Buddhist priest, ordained in 2010 and a role that has influenced her two most recent novels; and a filmmaker, hailed for her 1995 work Halving the Bones, that looks at three generations of Ruth’s maternal family history from Japan, to Hawaii and to a suburb in Connecticut. But, aside from this, it is also Ozeki’s non-fiction work that I highly admire, in particular her 2016 book “Timecode of a Face” – a part-memoir, part-experiment – influenced by a Harvard art historian that saw her sit in front of a mirror for three hours and examine her face as she traces each line, mark, crease and feature back to story from her past – which I cannot wait to get into in this episode! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/
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133 επεισόδια

Artwork
iconΜοίρασέ το
 
Manage episode 365987323 series 2572091
Το περιεχόμενο παρέχεται από το The Great Women Artists Podcast and Katy Hessel. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον The Great Women Artists Podcast and Katy Hessel ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
THIS WEEK on the GWA Podcast, I interview one of the most important, pioneering and impactful writers and novelists working today, Ruth Ozeki. In this episode, we deep dive into looking, writing, observation and perception in a fascinating discussion that traverses objects, the written form, imagination and memoir. She is the author of four novels, My Year of Meats (1998); All Over Creation (2003); A Tale for the Time Being (which was shortlisted for the Man Booker Prize in 2013 and won the LA Times Book Prize); and more recently, The Book of Form and Emptiness (for which she won the Women’s Prize for Fiction) – an extraordinary novel centred on 14 year old Benny who, after his father dies, begins to hear voices, with other objects in a magical realist sense taking on roles to speak. Ozeki’s work is powerful, it breaks boundaries and reinvents storytelling and often melds ancient ideas with contemporary ones – looking at how they relate to our technology, religion, politics or pop culture. In addition to her writing work, Ozeki is a Zen Buddhist priest, ordained in 2010 and a role that has influenced her two most recent novels; and a filmmaker, hailed for her 1995 work Halving the Bones, that looks at three generations of Ruth’s maternal family history from Japan, to Hawaii and to a suburb in Connecticut. But, aside from this, it is also Ozeki’s non-fiction work that I highly admire, in particular her 2016 book “Timecode of a Face” – a part-memoir, part-experiment – influenced by a Harvard art historian that saw her sit in front of a mirror for three hours and examine her face as she traces each line, mark, crease and feature back to story from her past – which I cannot wait to get into in this episode! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/
  continue reading

133 επεισόδια

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