Season 8 Preview: The Goo Goo Dolls, with John Rezeznik

The Art of Longevity

So many bands have a complex relationship with their biggest songs (probably because they essentially set a one dimensional benchmark - that of popularity) but dealing with that and playing those songs like it’s the last time you ever will, is part of doing the work. The Doll’s most biggest song and most recent tour are no exception:
“Robby convinced me, play Iris last. But that’s what bands do when they only have one big song! So everyone has to stick around and hear all the other songs before you get to the hit”. But you know what, it works, so we play Iris last”.
Well when you have one of the biggest indie songs ever, that’s a good attitude to have.
While to my mind, The Goo Goo Dolls are a classic album band, it is their chart-topping singles, including of course "Iris," but also giants like "Name," "Slide," and "Black Balloon." These songs have helped define their legacy and will grow in perpetuity when it comes to streaming count.
The Goo Goo Dolls' music is marked by catchy melodies, emotional lyrics, Rezeznik’s distinctive vocals, and a balance of acoustic and electric feel. Their ability to create relatable and timeless songs has contributed to their enduring popularity in the world of rock music. The band has developed nicely through the mists of time.
When I ask Rezeznik how he would approach making a career in today’s industry, he gives me the same bemused answer as many guests do on The Art of Longevity: “I don’t think I would”. But he and his band have crossed the Rubicon and so his anxiety is instead projected onto the next generation of musicians forged from the same stuff i.e. focused on the music:
“How much amazing music is not being heard because [TikTok] is the metric you have to use, to decide if an artist is viable or not. Through Tik Tok? Gimme a break”.
“But that’s what worries me about the next generation of musicians - are they gonna be able to do that”? Being poor and famous, I’m not sure that’s gonna work”.
That’s exactly what the “music business” is trying to figure out.

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