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Setting Boundaries Behind the Scenes for Racism On Stage
Manage episode 414027704 series 3564673
Το περιεχόμενο παρέχεται από το Kira Troilo. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον Kira Troilo ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
In order to tell a story, we need all aspects of the story. And that includes the difficult and tricky parts, the villains, the hurt. This conversation is real. It’s raw. It’s incredibly vulnerable. I’m joined by Victoria Omeregie and Jon Vellante in this first roundtable episode. I can’t think of two better actors for this conversation. I had the pleasure of working with them for Fairview at Speakeasy Stage in Boston. I hope you’ll join us as we discuss what it takes both on stage—but, more importantly, what it takes off-stage from the human being performing these really tough roles. (Spoiler alert: you will hear us share details about Fairview!)
In this episode, you will:
- Discover how establishing boundaries and protocols facilitates safety and connection for everyone.
- Uncover the value of talking across hard things and coming out feeling like family.
- Learn how an EDI consultant can positively impact the people and the play.
Connect with Victoria:
Fat Ham at the Alliance Theater in Atlanta
Connect with Jon:
CONNECT with Kira:
@kiratroilo
@artandsoulconsulting
@inclusivestages
Website
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Register for the first 'Inclusive Stages' cohort certification program
Join our mailing list - scroll to the bottom of the page
Thanks for joining me on this episode of Inclusive Stages! If you enjoyed this episode, please leave a review on Apple or a rating on Spotify to help me reach more people ready to collectively shape the future of human-first theater, one stage at a time.
Thanks to our music composer, Zachary McConnell and our producer, Leah Bryant.
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