Why Would a Museum Display Skulls of Enslaved People in the First Place?

Hyperallergic

Το περιεχόμενο παρέχεται από το Hyperallergic. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον Hyperallergic ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.

4y ago 17:23

MP3•Αρχική οθόνη επεισοδίου

Recently, Hyperallergic reported that the Penn Museum at the University of Pennsylvania will be removing a cranial collection from display in a basement classroom. The group of crania, which was donated by a 19th-century Philadelphia-born and UPenn-educated physician named Samuel George Morton, includes many skulls of enslaved Black people. The collection is a product of racist, pseudoscientific "race science" that Morton and his peers perpetuated. Members of the UPenn community actively denounced its display at the institution for many years prior to the museum’s recent decision.

Hyperallergic's news editor Jasmine Weber and reporter Hakim Bishara join me to discuss this story and what Police Free Penn, a group consisting of UPenn students and local activists, is demanding the museum abolish the collection.

The music this episode is an instrumental version of "Begin Again" by Kill the Alarm.

Hyperallergic continues to be on top of the biggest stories in the art community during the pandemic. Subscribe to our daily newsletter to stay up to date.

Subscribe to Hyperallergic’s Podcast on iTunes, and anywhere else you listen to podcasts.

104 επεισόδια

#Hyperallergic #Fine Arts #Arts #Society #Visual Arts