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Το περιεχόμενο παρέχεται από το Carrie Jones Books, Carrie Jones, and Shaun Farrar. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον Carrie Jones Books, Carrie Jones, and Shaun Farrar ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
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America as Paradise? Part of Making A Bestselling Novel?

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Manage episode 442294798 series 2098462
Το περιεχόμενο παρέχεται από το Carrie Jones Books, Carrie Jones, and Shaun Farrar. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον Carrie Jones Books, Carrie Jones, and Shaun Farrar ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.

We’ve started a series of paid and free posts about writing bestsellers. Our first post about this is here.

In James Hall’s book, HIT LIT, he looks at twelve top-selling novels and tries to find similarities to their success.

One thing that he found in the twelve novels is the theme of “America as paradise.”

He writes, “America-as-paradise, an idea that so powerfully shapes our national identity, is one of the key motifs.”

Despite the decade the story was written in, he and his students, he wrote, kept discovering the motif of America as a lost Eden.

“American readers have a powerful hankering for stories grounded in the earth itself,” he writes. “Surely, part of this hunger is connected to one of our central national myths—America as the new Eden. A land of second chances, fresh beginnings in the virginal wilderness.”

Blame it on the Puritans, maybe, but Americans have traditionally been into making novels into bestsellers if they talk about this.

Often, the story has to do with getting back to this golden land that the hero or heroine has been cast out of or alienated from. Think Scarlett O’Hara in Gone With the Wind trying to get back to her vision of the South and Tara, her home. Think Michael Corleone in the Godfather cast out of the family and its golden promise.

That longing to go back to the way things were (a more innocent time, a more accepting family or culture, a place of safety) is a common aspect in American hit novels.

Alfred Kazin says way back in On Native Grounds (1956), a lot of American literature “rests upon a tradition of enmity to the established order, more significantly a profound alienation from it.”

You can see this happen in the books that have sold over 100 million novels as well

The English books: A Tale of Two Cities, the first Harry Potter, And Then There Were None, The Hobbit, and Alice’s Adventures in Wonderland all have the loss of innocence or place and then the desire to get back to it or at least some mourning of it.

These are English novels, though. The top-selling American novels are the Da Vinci Code and The Bridges of Madison County, both selling over 80 million copies. Both involve protagonists who lose their safe worlds and lean into something secret, something complicated, across large vistas and settings.

DOG TIP FOR LIFE

Go to your greener pastures and escape the rodeo, but also be okay with coming back home to where it’s safe, too.

RANDOM THOUGHT LINK

It’s from the AP

SHOUT OUT!

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.

Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.

LET’S HANG OUT!

Do you want to take a little online course, learn with me as your writing coach, buy some art or listen to our podcasts? Or give me a buck and read unpublished books on Patreon?

Just CLICK ON THIS LINK and find out how we can interact more

WRITE SUBMIT SUPPORT

It’s my last time teaching Write, Submit, Support at the Writing Barn. It’s online. It’s six-months. It’s a kick-butt program. Come hang out with me and a few other writers for six months. Tons of feedback. Tons of support. It’s a great program. It is not starting this Sunday because of sickness and is being pushed back a month so you just barely have time to join.

Here’s a link to learn more.

And you can always just hang out with me here! And I coach and edit on the side, too.

xo

Carrie

  continue reading

74 επεισόδια

Artwork
iconΜοίρασέ το
 
Manage episode 442294798 series 2098462
Το περιεχόμενο παρέχεται από το Carrie Jones Books, Carrie Jones, and Shaun Farrar. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον Carrie Jones Books, Carrie Jones, and Shaun Farrar ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.

We’ve started a series of paid and free posts about writing bestsellers. Our first post about this is here.

In James Hall’s book, HIT LIT, he looks at twelve top-selling novels and tries to find similarities to their success.

One thing that he found in the twelve novels is the theme of “America as paradise.”

He writes, “America-as-paradise, an idea that so powerfully shapes our national identity, is one of the key motifs.”

Despite the decade the story was written in, he and his students, he wrote, kept discovering the motif of America as a lost Eden.

“American readers have a powerful hankering for stories grounded in the earth itself,” he writes. “Surely, part of this hunger is connected to one of our central national myths—America as the new Eden. A land of second chances, fresh beginnings in the virginal wilderness.”

Blame it on the Puritans, maybe, but Americans have traditionally been into making novels into bestsellers if they talk about this.

Often, the story has to do with getting back to this golden land that the hero or heroine has been cast out of or alienated from. Think Scarlett O’Hara in Gone With the Wind trying to get back to her vision of the South and Tara, her home. Think Michael Corleone in the Godfather cast out of the family and its golden promise.

That longing to go back to the way things were (a more innocent time, a more accepting family or culture, a place of safety) is a common aspect in American hit novels.

Alfred Kazin says way back in On Native Grounds (1956), a lot of American literature “rests upon a tradition of enmity to the established order, more significantly a profound alienation from it.”

You can see this happen in the books that have sold over 100 million novels as well

The English books: A Tale of Two Cities, the first Harry Potter, And Then There Were None, The Hobbit, and Alice’s Adventures in Wonderland all have the loss of innocence or place and then the desire to get back to it or at least some mourning of it.

These are English novels, though. The top-selling American novels are the Da Vinci Code and The Bridges of Madison County, both selling over 80 million copies. Both involve protagonists who lose their safe worlds and lean into something secret, something complicated, across large vistas and settings.

DOG TIP FOR LIFE

Go to your greener pastures and escape the rodeo, but also be okay with coming back home to where it’s safe, too.

RANDOM THOUGHT LINK

It’s from the AP

SHOUT OUT!

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.

Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.

LET’S HANG OUT!

Do you want to take a little online course, learn with me as your writing coach, buy some art or listen to our podcasts? Or give me a buck and read unpublished books on Patreon?

Just CLICK ON THIS LINK and find out how we can interact more

WRITE SUBMIT SUPPORT

It’s my last time teaching Write, Submit, Support at the Writing Barn. It’s online. It’s six-months. It’s a kick-butt program. Come hang out with me and a few other writers for six months. Tons of feedback. Tons of support. It’s a great program. It is not starting this Sunday because of sickness and is being pushed back a month so you just barely have time to join.

Here’s a link to learn more.

And you can always just hang out with me here! And I coach and edit on the side, too.

xo

Carrie

  continue reading

74 επεισόδια

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