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When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…
In the war on terror, who is it that we’re really fighting? “Caliphate” follows Rukmini Callimachi, who covers terrorism for The New York Times, on her quest to understand ISIS. For more information about the series, visit nytimes.com/caliphate. This series includes disturbing language and scenes of graphic violence. Producer: Andy Mills; Reporters: Rukmini Callimachi and Andy Mills; Managing Producer: Larissa Anderson; Editors: Wendy Dorr and Larissa Anderson; Associate Producer: Asthaa Cha ...
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Dean Baquet, the executive editor of The Times, discusses where “Caliphate” failed to meet Times standards. And Mark Mazzetti, an investigative correspondent for The Times, details new reporting that casts significant doubt on the claims of a central figure in the series. Editors' Note: The Times has published an Editors’ Note concluding that episo…
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. What does the future hold for the ISIS returnee who confessed to murder? And what does he believe now?…
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. Slavery was enmeshed in the theology of ISIS. Rukmini speaks to an ISIS detainee who challenges her to find the girl he enslaved. She does.…
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. After three years in ISIS captivity, a young Yazidi girl returns to her family. Rukmini is there to witness it.…
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. We found a trove of secret documents after Mosul fell. It led us to the mother of an ISIS official.…
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Editors' Note [Dec. 18. 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. What did ISIS leave behind as their hold on Mosul crumbled?Από τον The New York Times
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Editors' Note [Dec. 18. 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. “Something was off.” Rukmini’s doubt fuels a quest to uncover the truth.Από τον The New York Times
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. The recruit carried out the killing. Then he questioned everything.Από τον The New York Times
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. A new recruit proves his worth and gets invited to a secret meeting.Από τον The New York Times
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. ISIS turns fantasy into reality for a new recruit.Από τον The New York Times
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. Who is it that ISIS appeals to, and how? Rukmini speaks with a former ISIS member about how and why he joined the fold.…
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. Rukmini describes the reality of being on the terrorism beat and why she brings trash bags with her to the frontlines of the war against ISIS.…
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Editors' Note [Dec. 18, 2020]: The Times has published an Editors’ Note concluding that episodes featuring a central character in “Caliphate” did not meet our standards for accuracy. Read the full statement. The war on terror has cost the U.S. billions and has been fought for nearly 20 years. Rukmini Callimachi, a foreign correspondent for The New …
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