Player FM - Internet Radio Done Right
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Το περιεχόμενο παρέχεται από το CJR Productions, Evan Crean, Megan Kearns, and David Riedel. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον CJR Productions, Evan Crean, Megan Kearns, and David Riedel ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
Player FM - Εφαρμογή podcast
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We Have The Receipts
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1 Love Is Blind S8: Pods & Sober High Thoughts w/ Courtney Revolution & Meg 1:06:00
1:06:00
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Happy Valentine’s Day! You know what that means: We have a brand new season of Love Is Blind to devour. Courtney Revolution (The Circle) joins host Chris Burns to delight in all of the pod romances and love triangles. Plus, Meg joins the podcast to debrief the Madison-Mason-Meg love triangle. Leave us a voice message at www.speakpipe.com/WeHaveTheReceipts Text us at (929) 487-3621 DM Chris @FatCarrieBradshaw on Instagram Follow We Have The Receipts wherever you listen, so you never miss an episode. Listen to more from Netflix Podcasts.…
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Το περιεχόμενο παρέχεται από το CJR Productions, Evan Crean, Megan Kearns, and David Riedel. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον CJR Productions, Evan Crean, Megan Kearns, and David Riedel ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
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560 επεισόδια
Σήμανση όλων ότι έχουν ή δεν έχουν αναπαραχθεί ...
Manage series 3344068
Το περιεχόμενο παρέχεται από το CJR Productions, Evan Crean, Megan Kearns, and David Riedel. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον CJR Productions, Evan Crean, Megan Kearns, and David Riedel ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
…
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560 επεισόδια
Tous les épisodes
×This week Dave is under the weather, so Megan and Evan tackle the two films as a duo. First, we review Frederik Louis Hviid's true crime heist film, THE QUIET ONES (2:59), which recounts the largest robbery in Denmark's history. Next, we discuss Martin Campbell's action thriller CLEANER (28:09), which features Daisy Ridley as an ex-soldier turned window cleaner who must save a building full of people after they're taken hostage by eco-terrorists. Over on Patreon , we talk about Jeremy Saulnier's 2024 Netflix crime thriller REBEL RIDGE .…
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Spoilerpiece Theatre
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1 Episode 553: "Rounding" and "The Gorge" 1:05:46
1:05:46
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This week Megan, Evan, and Dave discuss ROUNDING (1:59), about an ambitious medical resident who relocates to a rural hospital after an elderly patient dies in his care. He soon becomes obsessed with saving a young asthma patient while suffering from horrific visions brought on by sleep deprivation and his previous trauma. Then we talk about THE GORGE (27:48), an action-rom-com-horror-thriller starring Miles Teller, Anya Taylor-Joy, and Sigourney Weaver. Over on Patreon , we watched RETURN TO OZ , the bizarro sort-of sequel to THE WIZARD OF OZ.…
This week Dave spoils director Josh Ruben’s latest, the horror comedy HEART EYES (2:11), about a serial killer who targets couples on and around Valentine’s Day. Then Evan and Megan join him to discuss LOVE HURTS (18:09), which stars Ke Huy Quan in his first leading role. Over on Patreon , we talk about Billy Wilder’s SUNSET BOULEVARD in honor of its 75th anniversary.…
Evan and Dave are a duo this week. Dave took his children to see the ridiculous animated movie DOG MAN , which he - surprisingly? - liked. And both Evan and Dave took in LOVE ME , a romantic drama in which Kristen Stewart and Steven Yeun play a buoy and a satellite falling in love long after every lifeform on Earth has gone extinct. Over on Patreon , we discuss the 2006 Tony Scott film DÉJÀ VU with Denzel Washington.…
This week we watch two films, the indie comedy-drama ROCKY’S (2:26), about five friends in their mid-20s who come together for a funeral, but first regroup in the parking lot of the 24-hour deli they loitered around in high school. Then it’s INHERITANCE (23:11), a spy thriller with Phoebe Dynevor and Rhys Ifans as an estranged daughter and father caught in a conspiracy. (Please excuse Dave’s room noise when the podcast begins; his space heater ran for a few minutes.) Over on Patreon , we talk about the 1989 Nicole Kidman thriller DEAD CALM .…
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Spoilerpiece Theatre
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1 Episode 549: "Wolf Man," "Night Call," and "Back in Action" 1:08:57
1:08:57
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This week Megan saw WOLF MAN (2:20), director and co-writer Leigh Whannell ’s latest trip down the horror highway, starring Christopher Abbott and Julia Garner. Megan likes this new take on Universal’s legendary Wolf Man…until she doesn’t. A good start, a meh finish. Then Evan and Dave join in when the conversation turns to NIGHT CALL (16:17), Michiel Blanchart's tense and nimble French-language thriller about a locksmith (Jonathan Feltre) who has the misfortune of opening a door…TO CRIME! (See what we did there?) A seemingly innocent call makes a normal shift turn nightmarish as lead character Mady is conned into opening the door, is chased by criminals, chased by more criminals, chased by cops…you get the idea. We all enjoyed this clever, fast-paced, and frenetic thriller. Then we all weigh in on Cameron Diaz ’s first screen role since 2014, the Netflix spy thriller BACK IN ACTION (44:21), directed by Seth Gordon. Don’t let the lazy title fool you: The screenplay is just as lazy as the title! Ho ho! Not for nothing, this movie throws in just about every action trope known to humankind, but it doesn’t do anything particularly well. Good thing Diaz cranks the charm to 100, and she has an easy chemistry with her equally charming co-star Jamie Foxx . But otherwise…bleh. Over on Patreon , we talk about Max Eggers and Sam Eggers's 2024 horror flick THE FRONT ROOM , starring Brandy.…
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Spoilerpiece Theatre
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1 Episode 548: "Get Away" and "Red Rooms" 1:03:20
1:03:20
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This week Evan, Megan, and Dave take in the new Nick Frost -written-and-starring horror comedy GET AWAY (2:50), about a family that goes to a remote Swedish island for a holiday weekend, only to be trapped as a killer is on the loose. Zoinks! Blood and guts ensue! But do the laughs follow? DO THEY?!! Two-thirds of us felt one way, and one-third of us felt another way. Then we watch RED ROOMS (26:02), the French-Canadian drama about obsession (among other things) about the trial of a man accused of absolutely horrifying, grisley murders - all captured on video as snuff films (thankfully, the visuals of said snuff films make limited appearances, though the audio doesn't leave much mystery). However, the lead character, Kelly-Anne ( Juliette Gariépy ) goes down the rabbit hole during the trial, and writer-director Pascal Plante doesn't lay out easy answers for the questions he poses. We were all fascinated, and this made Megan's Top 10 of 2024 list. Over on Patreon, we're joined by Jimmy Stewart to talk about the 1956 Alfred Hitchcock film THE MAN WHO KNEW TOO MUCH .…
Welcome to 2025! Evan is off this week, but Megan and Dave are here to talk about I SAW THE TV GLOW (2:26), writer-director Jane Schoenbrun’s horror-fantasy about Owen (Justice Smith) and Maddy (Brigette Lundy-Paine), two teens obsessed with a TV show called “The Pink Opaque,” with airs on Saturday nights past Owen’s bedtime. This was Megan’s top movie of 2024, so she has lots to say, as does Dave, who found its performances excellent, its look great, and its steeped-in’-90s-culture vibe spot-on. But despite picking up on its trans allegory, Dave was pretty confounded, so he and Megan have a lively talk about it. Then they get to THE SEED OF THE SACRED FIG (24:47), Mohammad Rasoulof's thriller set in Iran in 2022 amid the anti-theocracy protests and the violence that came with them. Iman (Missagh Zareh), a recently-promoted investigating judge, is given a gun - to protect himself and his family - along with his new position. His wife Najmeh (Soheila Golestani) and daughters are actually the main characters, and this family drama turns thriller when the gun goes missing. There’s more to it than that (it’s two hours and 47 minutes, after all), and it’s compelling as hell, and we had a great talk about it. Over on Patreon , we talk about the 1995 comedy PARTY GIRL starring Parker Posey.…
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Spoilerpiece Theatre
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1 Episode 546: Our Top 10 Movies of the Year (All Three of Us) 1:15:53
1:15:53
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It's the end of the year, and that means it's time for our top 10 lists. As members of the Boston Online Film Critics Association, we vote for what we consider the best films of the year (ya know, like critics do). Megan (4:28) goes first, followed by Dave (28:45), and finally Evan (51:51). We have some overlap, but not much! And we have a good time breaking down our reasons for liking the films we do. There are some curveballs, too, which is always fun. Over on Patreon, the results of our Hitchcock for the Holidays poll is a discussion of the 1943 thriller SHADOW OF A DOUBT . It you're a patron, listen to it here .…
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Spoilerpiece Theatre
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1 Episode 545: "The Brutalist" and "Nosferatu" 1:06:17
1:06:17
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Ladies and gentleman, pray forgive Dave in his capacity as host this week: His rhythm was off, as he was interrupted during the Patreon segment by a restless 9-year-old. (Speaking of Patreon, we cover the Shane Black-written , Geena Davis-starring THE LONG KISS GOODNIGHT. It's a fun conversation!) This week we all watched THE BRUTALIST (3:44), Brady Corbet's post-WWII epic featuring Adrien Brody as a talented architect trying to thrive in the United States while dealing with rampant antisemitism (he's a Hungarian Jew), the process of getting his wife and niece to the United States (they're stuck in Budapest), and designing and building a giant multiuse project for garbage human Guy Pearce (his character, not Guy Pearce the person, whom we've heard is lovely). We have lots to say about this complex, multilayered, truly epic film, including whether it's the best picture of the year, like many critics contend. Then we move onto Robert Eggers' latest: His version of NOSFERATU (40:14), inspired by F.W. Murnau's 1922 classic (which was lifted from Bram Stoker's novel "Dracula"). It looks good. Its actors are committed. Lily-Rose Depp is fantastic. But is the horror movie worth watching? Does Dave want to throw Nicholas Hoult into a windowless room and toss away the key? We had three very different opinions.…
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Spoilerpiece Theatre
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1 Episode 544: "Chasing Chasing Amy," "Conclave," and "Nickel Boys" 1:09:53
1:09:53
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We start with CHASING CHASING AMY (1:44), trans filmmaker Sav Rodgers’ documentary about his relationship with Kevin Smith’s CHASING AMY , and an exploration of Rodgers’ reverence for Kevin Smith’s at-the-time groundbreaking but now much-more-questioned-about-its-narrative-ideas lesbian-falls-for-a-straight-man rom-com. Over the course of six years, Rodgers’ feelings change as he transitions, and interviews Smith, queer filmmakers and critics, academics, his own fiancée Riley (whom we all love), and Joey Lauren Adams, CHASING AMY’s star, who has *very* different feelings about it than writer-director Smith. It’s a fascinating watch. Next, there’s CONCLAVE (25:31), director Edward Berger’s film about a papal conclave, run by Cardinal Thomas Lawrence (Ralph Fiennes), choosing a new pontiff, and the political and religious machinations that go along with it. Dave had resisted seeing this, but finally relented. And…did he like it the way Evan and Megan do? Finally, there’s NICKEL BOYS (45:41), director and co-writer RaMell Ross’ adaptation of Colson Whitehead’s Pulitzer Prize-winning novel. We have differing opinions about it, in particular the style in which it’s filmed, but we all found things we like about it, Megan in particular. Over on Patreon , we talk about Clint Eastwood’s final film (we’re told) as director, the courtroom drama JUROR NO. 2 .…
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Spoilerpiece Theatre
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1 Episode 543: "Queer," "Flow," and "Nightbitch" 1:08:45
1:08:45
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This week Megan and Dave talk about director Luca Guadagnino’s QUEER (2:28), an adaptation of William S. Burroughs 1985 novel (with a screenplay by Justin Kuritzkes). Starring Daniel Craig as William Lee (a Burroughs stand-in), this movie left both Megan and Dave a little bewildered, as there were things they liked (the shooting-up scene, the color palette), and things they didn’t like (Drew Starkey’s performance as Lee’s love interest). Then Evan joins in for FLOW (22:38) an excellent animated film featuring a very cat-like cat and other animals as they survive a catastrophic flood. Finally there’s NIGHTBITCH (39:53). Amy Adams becomes a dog (though there’s more to it than that) and Scoot McNairy becomes a dope (he’s played this part before). What did we think of writer-director Marielle Heller’s adaptation of Rachel Yoder’s novel? Over on Patreon , we talk about the Christmas horror flick BETTER WATCH OUT .…
Evan is off this week (doubtless watching PLANES, TRAINS, AND AUTOMOBILES), so Megan and Dave take on KNOW YOUR PLACE (2:19) and THE BLACK SEA (35:29) as a duo. And as with many weeks, the movies we choose are linked thematically (often accidentally). In this case, both films tackle characters with feelings of being outsiders. In KNOW YOUR PLACE, Robel (Joseph Smith) balances being a typical American teenager with the familial demands of being the child of Eritrean immigrants, and he navigates the emotional and physical fallout that comes with feeling stuck between two competing sets of demands. And in THE BLACK SEA, Khalid (co-director Derrick B. Harden) travels to Bulgaria from Brooklyn and finds himself completely out of place - until he discovers he makes the locals happy by opening a cafe that serves Matcha tea. (It’s more dramatic - and comedic - than that, and we cover all the ins and outs in our conversation.) Over on Patreon , we watched ON DANGEROUS GROUND , a classic noir film from 1951, to celebrate Noirvember.…
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Spoilerpiece Theatre
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1 Episode 541: "Wicked," "Gladiator II," and "Blitz" 1:02:06
1:02:06
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This week, we start things off at Shiz University, as Megan saw WICKED (2:22), the film adaptation of the stage musical, which is an adaptation of the novel by Gregory Maguire. Does Jon M. Chu's film hold up under scrutiny? And how are Cynthia Erivo and Ariana Grande as, respectively, Elphaba and Glinda? Next, Dave joins Megan to talk about GLADIATOR II (6:18), Ridley Scott's sequel to Ridley Scott's (ha) GLADIATOR , starring Paul Mescal. Megan and Dave's opinions diverge, but they agree on one thing: Denzel Washington's performance is absolutely unreal (in the best way). Then Evan joins in for a lively discussion of Steve McQueen's BLITZ (28:01), starring Saoirse Ronan as a single mother who puts her son on a train to safety during the early days of the German Blitz campaign over England. But her son (Elliott Heffernan) has other ideas that lead to peril, again and again and again. There's a compelling racial element to the story, but otherwise all three of us had different views of the film's success or failure. Over on Patreon , we talk about the zany 1987 Japanese comedy A TAXING WOMAN .…
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Spoilerpiece Theatre
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1 Episode 540: "Blink Twice" and "My Old Ass" 1:01:20
1:01:20
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This week, we took a gander at two films in current release: Megan and Evan watched BLINK TWICE (2:32), Zoë Kravitz’s directorial debut starring Naomi Ackie as a woman who goes to a private island with a tech-bro (Channing Tatum) and parties with his friends, but things aren't what they seem to be. We were divided on this thriller. Then Dave joined them for MY OLD ASS (24:35), which is NOT about an aged donkey. It’s writer-director Megan Park’s sweet and charming coming-of-age tale of Elliot (Maisy Stella), a woman preparing to leave her small town for college in the big city, taking some mushrooms and meeting her 39-year-old self (Aubrey Plaza). There's more to it than that, but here's the real question: Which Spoilerpiece members cried during this one? Place your bets! Over on Patreon, we talk about the 1946 noir classic GILDA , starring Rita Hayworth.…
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