Player FM - Internet Radio Done Right
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Το περιεχόμενο παρέχεται από το adam lenson and Adam lenson. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον adam lenson and Adam lenson ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
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We Have The Receipts
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1 Love Is Blind S8: Pods & Sober High Thoughts w/ Courtney Revolution & Meg 1:06:00
1:06:00
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Happy Valentine’s Day! You know what that means: We have a brand new season of Love Is Blind to devour. Courtney Revolution (The Circle) joins host Chris Burns to delight in all of the pod romances and love triangles. Plus, Meg joins the podcast to debrief the Madison-Mason-Meg love triangle. Leave us a voice message at www.speakpipe.com/WeHaveTheReceipts Text us at (929) 487-3621 DM Chris @FatCarrieBradshaw on Instagram Follow We Have The Receipts wherever you listen, so you never miss an episode. Listen to more from Netflix Podcasts.…
Dischord : Figuring Out Musical Theatre
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Manage series 1234298
Το περιεχόμενο παρέχεται από το adam lenson and Adam lenson. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον adam lenson and Adam lenson ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
A podcast about the intersection between music and theatre. A way of figuring out what musical theatre could be. Hosted by Adam Lenson. Recorded in London.
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22 επεισόδια
Σήμανση όλων ότι έχουν ή δεν έχουν αναπαραχθεί ...
Manage series 1234298
Το περιεχόμενο παρέχεται από το adam lenson and Adam lenson. Όλο το περιεχόμενο podcast, συμπεριλαμβανομένων των επεισοδίων, των γραφικών και των περιγραφών podcast, μεταφορτώνεται και παρέχεται απευθείας από τον adam lenson and Adam lenson ή τον συνεργάτη της πλατφόρμας podcast. Εάν πιστεύετε ότι κάποιος χρησιμοποιεί το έργο σας που προστατεύεται από πνευματικά δικαιώματα χωρίς την άδειά σας, μπορείτε να ακολουθήσετε τη διαδικασία που περιγράφεται εδώ https://el.player.fm/legal.
A podcast about the intersection between music and theatre. A way of figuring out what musical theatre could be. Hosted by Adam Lenson. Recorded in London.
…
continue reading
22 επεισόδια
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×This episode I talk to Jethro Compton and Darren Clark, the writers of 'The Curious Case of Benjamin Button' and track the creation of a this new British musical adapted from the F. Scott Fitzgerald short story. We discuss topics including adaptation, time, collaboration and kindness. Read Darren's blog about musical theatre here and see the show's Southwark Playhouse page here Find Dischord on twitter here Find Adam Lenson Productions' website here and Twitter page here.…
Part two of a conversation with Guardian journalist Stuart Heritage and Actor/Writer Alex Young. Following a January 2018 article where Stuart Heritage said he hated musicals, we debate whether you can really hate a whole artform and discuss how speaking to those who disagree with you can teach everyone something new. (Stuart's original article is at bit.ly/2rwRuiV and Alex's twitter thread in response is at bit.ly/2Bo1QRY)…
Kicking off series two, this week is the first part of a conversation with Guardian journalist Stuart Heritage and Actor/Writer Alex Young. Following a January 2018 article where Stuart Heritage said he hated musicals, we debate whether you can really hate a whole artform and discuss how speaking to those who disagree with you can teach everyone something new. (Stuart's original article is at http://bit.ly/2rwRuiV and Alex's twitter thread in response is at http://bit.ly/2Bo1QRY)…
On this episode we investigate the word cheese, ask some people what it means and wonder about why it is so regularly applied to musical theatre.
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1 Dischord #17 - Breaking the Mold (Andrew Whyment) 1:05:00
1:05:00
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This week I talk to director Andy Whyment about resistance, politics, active engagement and labels. Andy is the artistic director of Squint and we met in 2016 when we both won Kevin Spacey Foundation awards. But his was for theatre and mine musical theatre. In this episode we ask what divides our work and what unites it.…
We speak to Tony and Grammy award winning composer-lyricist Duncan Sheik (Spring Awakening, American Psycho, Whisper House) about putting pop and rock music onstage, the boundary between scenes and songs, seeing the world through headphones and constructing a theatrical reality.
This week I talk about why pop songs and musical theatre songs feel different. I devise a scale of how to describe the informational content of songs and hopefully begin to draw some conclusions about the gap between music and musicals.
We speak to the relentlessly busy british musical theatre writer Dougal Irvine about just how difficult it can be to sustain a career in new musical theatre. We also cover innovation, loving what you do and why giving up isn't an option.
This week I'm trying something new. Instead of an interview, I chat about something that has been on my mind. With the help of some extracts from other podcasts, I suggest that comic books and musicals have a lot in common.
This week I speak to playwright, actor and musical theatre writer Sevan Greene about his unconventional background, working on both sides of the atlantic and how there may not be a formula for writing musicals but there are tiny equations.
In this episode, I talk to acclaimed composer and songwriter Michael Bruce about the many facets of his background and learning. He has spent the past few years writing music for plays and we discuss what this has taught him about musical theatre.
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1 Dischord #12 - The Map And The Territory (James Hadley) 1:05:02
1:05:02
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In this episode we zoom out to look at the map and the territory of the British musical theatre scene. We talk with James Hadley, head of the Musical Theatre Network to ask where we are, where we've been and where we might be headed.
This week I discuss the piece Greater Belfast with its writer Matt Regan. He doesn't think the piece is a musical, but I think it might be. Our conversation covers, moving from scenes into songs, combining music and text, gig theatre and hating musicals.
We speak to Adriaan Van Aken, the artistic director of Belgian company Het Nieuwstedelijk who give text and music equal emphasis in their work. We discuss their most recent show 'Last Call; which is currently playing at the Edinburgh Fringe. We discuss content and form, debate the Wooster group and Laurie Anderson, wonder how to merge distinct disciplines and try to figure out how to make musical theatre not feel fake.…
In this episode we talk to singer and actor Molly Lynch about the way music can be looked down upon in musical theatre and how to make sure it can be treated properly and what that can teach us.
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