The last Vortex Temporum episode of 2024 Spring introduces us to the delicate universe of Canadian composer Chiyoko Szlavnics (Toronto, 1967), who takes us on a brief journey through the mysteries of listening. credits: For Eva Hesse [2006] sinewaves - excerpts) // Oracle I & II (excerpts). Ensemble Contrechamps (dress rehearsal, at Bellelay Abbey,…

In this episode, French composer Clara Maïda (1963) shares "a few thoughts about some aspects of AI and about the conception of the Human psyche that lies in the background of this technology. Starting with a reflection on algorithmic systems and the excessive decision power given to AI, the podcast seems to have finally turned into a kind of manif…

Polish composer and singer Agata Zubel (Wrocław, 1978) is the voice of Vortex Temporum's 32th episode. She deals intimately with vocal sounds, both as singer and as a master composer of vocal music: reflecting on language, meaning and emotionality is a natural extension of her work. Have a listen and find out the world of this composer/performer! v…

In Vortex Temporum's 31st episode, Tokyo based Irish composer Anna Murray (1987) shares some thoughts on music and the influence of Japanese culture in her work. credits: Rndr 12 (Paths) | Anna Murray > electronics // Azuma-asobi (versions 1&2) | Anna Murray > piano // LIT | Michelle O'Rourke > voice // Both Beaming and Beckoning | Alex Koi > voice…

Sofia Avramidou (1988) reflects on both the creative process and her roots as a Greek musician. credits: What can that be but my apple-tree? [2023], for string quartet | 2e2m string quartet // Géranomachie [2021], for large ensemble and electronics | Ensemble Intercontemporain // A hug to die [2023], for ensemble | Ensemble Intercontemporain vortex…

Instead of letting us listen to his own music, Spanish composer Manuel Rodríguez-Valenzuela (Valencia, 1980) prefers to show us the music he grew up with, which is part of his most intimate story. While trying to recognise Manuel's multiple references, we can not avoid the nostalgia of a lost world where Time was much slower. Have a listen and shar…

The 28th episode of Vortex Temporum podcast brings us Vienna based Italian composer Lorenzo Troiani (1989) with some thoughts about perception and attentiveness. credits: Dalla voce. Instabile [2012] for contrabass | Florentin Ginot > double bass vortextemporum.comΑπό τον Vortex Temporum

The Irish composer Karen Power (1977) shares a couple of stories about some of the wildest listening experiences she has had. credits: field recording made in Rainforest in Laos // Instruments of Ice [2015] | Quiet Music Ensemble & Arctic Ice (to be released later in 2024). vortextemporum.comΑπό τον Vortex Temporum

The UK based Argentinean composer Alejandro Viñao (Buenos Aires, 1951) stars the 26th episode of our podcast and invites us to "look at the world from the opposite point of view" we normally hold. Alejandro quotes Eduardo Galeano, Laurent Binet and also Walt Whitman and, by listening to him, we immediately feel the urge to do the (not so) simple ex…

In this episode of Vortex Temporum, Leigh Landy (1951) first shares his sadness about the lack of impact of most innovative music and suggests that things don’t have to be this way. He then engages in a dialogue with re-re-composed samples from his Radio Series in which connections with listeners’ experience are made, attempting to demonstrate, as …