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The Nietzsche Podcast

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The Nietzsche Podcast

Untimely Reflections

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A podcast about Nietzsche's ideas, his influences, and those he influenced. Philosophy and cultural commentary through a Nietzschean lens. Support the show at Patreon: https://www.patreon.com/untimelyreflections A few collected essays and thoughts: https://untimely-reflections.blogspot.com/
 
Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche’s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Thus Spake Zarathustra is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such a ...
 
Un podcast sui libri, un vaudeville irriverente di rimandi letterari, libere associazioni, citazioni, concatenazioni, dove noi scimmioni scendiamo per un po’ dagli alberi se non proprio per seguire “virtute e canoscenza” almeno per ricordarci che, come ha scritto Pennac: “un libro ben scelto ti salva da qualsiasi cosa, persino da te stesso”.
 
Diese kleine Schrift ist eine grosse Kriegserklärung; und was das Aushorchen von Götzen anbetrifft, so sind es dies Mal keine Zeitgötzen, sondern ewige Götzen, an die hier mit dem Hammer wie mit einer Stimmgabel gerührt wird, - es giebt überhaupt keine älteren, keine überzeugteren, keine aufgeblaseneren Götzen... Auch keine hohleren... Das hindert nicht, dass sie die geglaubtesten sind; auch sagt man, zumal im vornehmsten Falle, durchaus nicht Götze... (aus Friedrich Nietzsches Vorwort zur G ...
 
A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction. - Summary by the Reader
 
Save for his raucous, rhapsodical autobiography, Ecce Homo, The Antichrist is the last thing that Nietzsche ever wrote, and so it may be accepted as a statement of some of his most salient ideas in their final form. Of all Nietzsche’s books, The Antichrist comes nearest to conventionality in form. It presents a connected argument with very few interludes, and has a beginning, a middle and an end.
 
"Human, all-too-Human, is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself. ...
 
Diese kleine Schrift ist eine grosse Kriegserklärung; und was das Aushorchen von Götzen anbetrifft, so sind es dies Mal keine Zeitgötzen, sondern ewige Götzen, an die hier mit dem Hammer wie mit einer Stimmgabel gerührt wird, – es giebt überhaupt keine älteren, keine überzeugteren, keine aufgeblaseneren Götzen… Auch keine hohleren… Das hindert nicht, dass sie die geglaubtesten sind; auch sagt man, zumal im vornehmsten Falle, durchaus nicht Götze…(aus Friedrich Nietzsches Vorwort zur Götzendä ...
 
The Joyful Wisdom (later translated as The Gay Science), written in 1882, just before Zarathustra, is rightly judged to be one of Nietzsche’s best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life. In the ...
 
Of The Twilight of the Idols, Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.” Certain it is that, for a rapid survey of the whole of Nietzsche’s doctrine, no book, sav ...
 
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show series
 
Socrates, having been introduced in the last chapter we studied in the previous section, appears now to threaten all art, with a worldview described as "the theoretic", which is fundamentally opposed to the tragic. The theoretical worldview is, by nature, optimistic, moralistic, and against all illusion and ignorance. Nietzsche first raises the pro…
 
Let’s talk about the evolution of the Attic Tragedy: from solo dithyrambic poet, to dithyrambic chorus, to chorus plus the ritualized portrayal of a masked Dionysus, to an entire tragedy performed on stage behind the “magic wall” of the chorus.
 
Today we cover the first three sections of Birth of Tragedy. Slow going, I know- but things will begin to move at a faster clip as we continue. In this episode the core concepts of the Apollinian and Dionysian art forces are explained, their relation to one another, and their origin in dreams and intoxication.…
 
In the name of Lord Dionysus, it with great joy and solemnity that we commence this, the first of our Nietzschean bookclubs. This series will see me undertake an in-depth analysis, moving section-by-section, through Nietzsche’s first book: The Birth of Tragedy. In the first episode, we’ll look at Nietzsche’s masterful second preface, written in 188…
 
This is the first conversation on the podcast between more than two people. Given that the episodes involving a dialogue are often the least popular compared to the lecture series, perhaps this simply shows that I have not learned my lesson and refuse to appease the audience gods. We discuss several quotations from Nietzsche during the Untimely Med…
 
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