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Fantasy/Animation

Fantasy/Animation

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Christopher Holliday researches animation history and digital media at King’s College London (UK). Alexander Sergeant is a Lecturer in Film and Media Studies at University of Portsmouth (UK), specialising in the history and theory of fantasy cinema. Each episode, they look in detail at a film or television show, taking listeners on a journey through the intersection between fantasy cinema and the medium of animation.
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The Fantasy/Animation podcast finally tackles the seminal Toy Story (John Lasseter, 1995), with Episode 138 looking at Pixar’s computer-animated feature and the film that transformed animation in Hollywood - and beyond - into a digital medium. Joining Chris and Alex to examine Toy Story’s computerised production and the pleasures of its pristine vi…
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Footnote #46 responds to a listener email by focusing on the speeds and spaces of the “multiplanar” image, a term theorised in Thomas Lamarre’s writing on anime and its techniques which looks at how motion is able to divide animated landscapes into different planes of action. In this episode, Chris treats Alex to a rundown of Lamarre’s work on mult…
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Episode 137 appropriately begins at the end of the commercially and critically successful Indiana Jones franchise with this discussion of the fifth and final feature Indiana Jones and the Dial of Destiny (James Mangold, 2023) featuring special guest Dr Sarah Thomas. Sarah is Senior Lecturer in Communication and Media in the School of Arts, whose re…
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Chris and Alex once again draw on the expertise of Dr Peter Kunze (Tulane University) for this discussion of the form and function of the period critically and culturally known as the Disney Renaissance. Listen as they reflect on the complex and often contradictory place of the Renaissance as a crucial phase of renewal within Disney’s own internal …
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The author of Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023), Dr Peter Kunze (Tulane University), is the special guest for Episode 136 of the podcast which looks at the impact of Walt Disney’s Beauty and the Beast (Gary Trousdale & Kirk Wise, 1991) and both the industrial and stylistic stakes of…
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A deep dive into the U.S. animation studio Hanna-Barbera provides the focus of Footnote #44, as Chris and Alex are once again joined by Dr Jared Bahir Browsh to discuss the origins of William Hanna and Joseph Barbera’s influential and prolific production company that strengthened the cartoon’s move from theatrical exhibition to television. Topics i…
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Chris and Alex are delighted to welcome Dr Jared Bahir Browsh (Assistant Teaching Professor, University of Colorado Boulder) to the podcast to discuss William Hanna and Joseph Barbera’s landmark animated sitcom The Flintstones (1960-1966), the first cartoon series to occupy a prime time slot on U.S. television. Listen as they discuss Dr Browsh’s re…
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Fresh from their discussion of Wish (Chris Buck & Fawn Veerasunthorn, 2023), Chris and Alex are once again joined by Dr Robyn Muir, Lecturer in Media and Communication (University of Surrey), author of The Disney Princess Phenomenon: A Feminist Analysis (2023), and founder and director of the Disney, Culture and Society Research Network to discuss …
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To celebrate Disney’s computer-animated film musical Wish (Chris Buck & Fawn Veerasunthorn, 2023) and the company’s recent centenary year, Chris and Alex are joined by Dr Robyn Muir, Lecturer in Media and Communication in the Department of Sociology at the University of Surrey. Robyn’s research is interested in how identity is constructed and inter…
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Following up last week’s feature-length episode on The Lord of the Rings: The Return of the King (Peter Jackson, 2003), the latest Footnote looks at J.R.R. Tolkien’s seminal essay “On Fairy Stories” that engages the definitions, origins, and applications of the fairy story; the fairy vs. faerie distinction and questions of magic and imagination; su…
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Chris and Alex conclude their journey through Middle-Earth with this episode on the third and final entry into Peter Jackson’s Lord of the Rings trilogy - The Return of the King (Peter Jackson, 2003) - where they reflect on the stylistic influence and cultural legacy of the franchise since its culmination over twenty years ago. Listen as they discu…
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Footnote #41 looks at canon formation and value judgments in relation to the selection and privilege of art and culture’s masterworks, with Chris and Alex tackling the relationship between canons and consensus. Topics include canonisation as a political process of inclusion and exclusion; core-periphery models of how so-called untouchable art secur…
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Special guest Janet Harbord, Professor of Film Studies at Queen Mary, joins Chris and Alex to discuss the intersections between fantasy, animation, and autism in this examination of documentary Life, Animated (Roger Ross Williams, 2016), a film that reflects on the value and fantasies of animated media at the same time as it navigates and represent…
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What is puppet animation, and are puppets a form of animation? The historical and theoretical implications of fantasy and animation’s relationship to puppet performance are the focus of Footnote #40, with Chris and Alex looking at the defining role of puppets in fantasy’s fête and carnival culture origins; the phantasmagoria of the puppet and the d…
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2024 kicks off with this episode on The Dark Crystal (Jim Henson & Frank Oz, 1982), recorded at the British Library with Tanya Kirk, Lead Curator of Printed Heritage Collections 1601–1900, and one of the organisers and curators of the Fantasy: Realms of Imagination exhibition that runs at the library until February of this year. The exhibition expl…
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The Christmas special of the Fantasy/Animation podcast is finally delivered, and a perfectly wrapped episode it is too (!), with Chris and Alex enjoying the magic and mayhem of Arthur Christmas (Sarah Smith, 2011) - the Aardman studio’s second foray into computer animation and a film that confronts head-on Christmas as a collective fantasy through …
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What is so special about special effects? What role does technological innovation play in their convincing construction of illusion? What distinguishes ‘special’ from ‘visual’ effects? In this Footnote episode, Chris and Alex play with ideas of special effects in relation to fantasy and animation, going back to early cinema and the animated fantasi…
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Episode 129 sees Chris flying solo in this conversation recorded live at the recent Once Upon A Time: A Disney Day held at the British Film Institute in London back in July, which was part of the Making Magic: 100 Years of Disney two-month season that ran throughout 2023. Discussing the Disney studio’s longstanding relationship to technological inn…
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Footnote #38 tackles the recurrent motif of the storybook that so often begins Disney’s animated features, but which also takes other forms and styles as part of the studio’s sustained dramatisation of storytelling. Listen as Chris and Alex discuss the importance of the prologue within definitions of the Disney formula; animation’s decorative funct…
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Chris and Alex continue their journey through the world of Harry Potter for Episode 128 of the podcast, looking at the fourth instalment Harry Potter and the Goblet of Fire (Mike Newell, 2005) accompanied by special guest Dr Taylor Driggers. Taylor is an academic researcher specialising in fantasy literature, theology and religious studies, gender,…
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Special guest Dr Lawrence Napper, Senior Lecturer in Film Studies at King’s College London and expert in early silent and British cinemas, joins Chris and Alex once again - this time to talk about silent cinema in this Footnote episode of the podcast. Topics include the role of piano accompaniments, string quartets, and full orchestras within early…
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For Episode 127 of the podcast, Chris and Alex travel through (film) history to examine the negotiation of the past through computer manipulation, focusing on Peter Jackson’s They Shall Not Grow Old (2018) and its use of digital techniques to re-articulate the sounds and images of the First World War. Joining them to discuss the technological media…
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What is horror cinema, and where did it come from? What are its unsettling spectatorial effects and uncomfortable provocations? What codes and conventions define its big screen history, and at which points does it splinter into slasher sub-genres and monstrous cycles? What role does the gothic and supernatural play in its generic construction? And …
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As Halloween rolls around once more, things take a positively spooky turn as Chris and Alex discuss the stop-motion animated horror film ParaNorman (Sam Fell & Chris Butler, 2012) with very special guest Professor Stacey Abbott, who is incoming Professor of Film at Northumbria University and an expert in histories of gothic and horror in film and t…
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Chris and Alex return to the Footnote format for this latest episode on “twice told tales” - a term that, following its Shakespearean origins, has been applied by writers of fantasy to refer to fantasy’s relationship to oral literature and fairytales. Topics include the fairytale’s codification of oral culture; legacies of literary structures and t…
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Chris and Alex return from their extended summer break with this discussion of the much-maligned musical Cats (Tom Hooper, 2019), a film whose reputation as a big-budget misjudgment has perhaps overwhelmed the intricacies of its uncanny constitution, and in particular how the narrative’s negotiation of its A-list performers speaks to the vexed ques…
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A quick message about Fantasy/Animation's Summer Break, as well as ways that you can get in touch to support all things fantastical and animated. From listening back through our podcast archive and leaving us a quick review and star rating, to dropping us an email or sending in a blog post idea or submission ready for when we return, we would love …
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Chris and Alex are joined once more by Mark Bould, Professor of Film and Literature at the University of West England, for this Footnote episode that explores the origins and definitions of science-fiction storytelling. Expect turns to genre theory and the evolution of generic cycles, including the shifting ways that science fiction gets defined (a…
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The Truman Show (Peter Weir, 1998) meets They Live (John Carpenter, 1988) in Shawn Levy’s science-fiction comedy Free Guy (2021), which marks the director’s first collaboration with charming Canadian Ryan Reynolds and is a film that confronts head-on contemporary anxieties around technology, choice, security, and artificial intelligence. Joining Ch…
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Special guest Chris McKenna, current Head of Creative Operations at the VFX studio Moving Picture Company, joins Chris and Alex for this latest Footnote episode on the VFX industry, with a particular focus on artists with colour blindness and advice on the best avenues for getting into animation lighting and design. From understanding the specific …
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The emergence of Disney’s so-called ‘live-action’ remakes provides the focus of Episode 123, with the recent adaptation of Dumbo (Tim Burton, 2019) offering Chris and Alex plenty to get their teeth into thanks to the film’s particular brand of digital realism as well as director Tim Burton’s reflections on the very nature of spectacle itself. Speci…
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Fresh from their discussion of Spider-Man: No Way Home (Jon Watts, 2021), Chris, Alex and special guest Dr Nick Jones (Senior Lecturer in Film, Television and Digital Culture, University of York) return for this short Footnote episode on the marvel and magic of 3D technology. Topics include cinema’s own history of size, space, and spectacle from th…
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The MCU comes calling once again for Episode 122 of the podcast, as Chris and Alex navigate the complex web of storylines and superheroes that build the world of Spider-Man: No Way Home (Jon Watts, 2021). Joining them to reflect on the genre’s enduring appeal alongside the contemporary pleasures of Hollywood’s increasing multiversal madness is Dr N…
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From the invention of Plasticine by William Harbutt in Britain in 1897 to the use of malleable materials in the earliest stop-motion ‘trick films’ of Edwin S. Porter, J. Stuart Blackton, and the Fleischer Brothers, the application of clay in animation has a history as long as the medium itself. In Footnote #31 of the podcast, Chris and Alex deliber…
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Chris and Alex delve into motion-capture, murder mystery, and monster houses for this discussion of Gil Kenan’s 2006 computer-animated film Monster House, a digital feature produced by the ImageMovers company founded by renowned filmmaker Robert Zemeckis and a specialist in animation utilising mo-cap technologies. Joining them for Episode 121 of th…
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The economy of the Hollywood franchise is the focus of Footnote #30, where Chris and Alex examine the multimedia conglomeration of the U.S. cinema industry in the blockbuster era of the 1970s, and the subsequent impact on the post-2000 phase of Hollywood film production and its intensified franchise mentality. To unpack the so-called ‘genius of the…
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No sooner have Chris and Alex finished their examination of Harry Potter and the Chamber of Secrets (Chris Columbus, 2002) than they make a swift return to Hogwarts for the third (and best?) in the franchise, Harry Potter and the Prisoner of Azkaban (Alfonso Cuarón, 2004). Joining them in this instalment to separate their Leaky Cauldrons from their…
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Drawing on the seminal work of scholar Henry Jenkins, this latest Footnote episode engages the question of transmedia storytelling, industrial organisation, cultures of appreciation, and the consumption of media in an era of convergence. Alex takes the lead in discussing how contemporary entertainment experiences involve the dispersal of content ac…
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Special guest Dr. Omar Sayfo joins Chris and Alex for Episode 119 of the podcast, which features a rundown of Arab Animation covering a range of cartoons from Egypt, Iraq, and the United Arab Emirates, alongside a discussion of Omar’s recent book Arab Animation: Images of Identity (2021). Omar is an Affiliated Researcher in the Institute for Cultur…
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Animation’s rude and crude history is the topic of Footnote #28 of the podcast as Chris and Alex take up the complex issue of adult animation. Topics include adult animation as the medium’s cultural ‘other’ and how it is a term involved in exclusionary tactics of classification; associations between the ‘adult’ of adult animation and taboo themes, …
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Prepare for more multiverse madness as Chris and Alex dive into the world of Everything Everywhere All At Once (Daniel Kwan & Daniel Scheinert, 2022), the Oscar-winning absurdist sci-fi action adventure that engages head-on with the question of what it means to be human set against the backdrop of forking path storylines, a sumptuous mise-en-scène …
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Following up episodes on hyper-realism and photorealism, this latest instalment completes the unofficial Fantasy/Animation ‘realism’ trilogy (!) by focusing on the history, politics, and aesthetic concerns of surrealism. Chris and Alex take a surrealist turn through the crisis of realism in the arts and the advent of photography; dream interpretati…
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Whomping willows, Ford Anglias, and so much more are covered in episode 117 of the podcast, which (better late than never!) returns to Hogwarts for the second instalment of the Harry Potter film franchise and an adaptation of the 1998 novel originally released back in November 2002. Joining Chris and Alex for a closer look at Harry Potter and the C…
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The tension between spectacle and narrative is investigated through the seminal work of Tom Gunning and his formulation of the “cinema of attractions” in this latest Footnote episode, in which Chris and Alex hold cinema’s propensity for exhibitionist visual display and its later development of story in delicate balance. Listen as they reflect on th…
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Finally following up their podcast on The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001), Episode 116 has Chris and Alex picking up the story of Middle-earth with this instalment on the second film in the franchise, The Lord of the Rings: The Two Towers (Peter Jackson, 2002). Joining them is special guest Dr Daniel White, who i…
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Fresh from their discussion of hyper-realism in the previous Footnote episode, Chris and Alex discuss ‘photorealism’ in this latest instalment - a term that denotes the aesthetic mimicking of lens-based media to create the appearance of a world as viewed through a camera. Listen as they discuss photorealism’s relationship to the animated illusion o…
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Episode 115 celebrates Chris and Alex’s return to Peppa Pig (Neville Astley & Mark Baker, 2004-) for a part-interview, part-reflection on this staple of contemporary British animation and culture, which (unofficially at least!) follows on from the earlier podcast instalment discussing the style and tone of the series. The guest for this special ‘re…
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The podcast's first engagement with questions of ‘realism’ in animation takes centre stage in Footnote #24, where Chris and Alex historicise and interrogate the function of realism and hyper-realist traditions within a multitude of media and aesthetic traditions. Topics include hyper-realism’s place in relation to painting and sculpture; the uncann…
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The Netflix feature The Mitchells vs. the Machines (Mike Rianda, 2021) gets the Fantasy/Animation treatment, as Chris and Alex offer up a discussion in this episode of the film’s dysfunctional family dynamics, road movie structure, and its spectacular sentient robots techno-narrative. Topics include the contribution of Sony Pictures Animation to th…
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The story of phantasy (with a ‘ph’) forms the basis of this latest Footnote episode, a term that is as muddy and complex as its more familiar ‘f’ counterpart. Whereas ‘fantasy’ is associated with carefree, escapist enjoyment in the imagination, phantasy describes a process of meaning making within the human psyche, and is a psychological act that i…
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